When the calendar strikes February, the talking and preparation begins. Chairs and equipment begin to line the streets and sponsors, vendors and homeowners begin to prepare themselves for the ensuing two days of craziness, Las Llamadas.
Las Llamadas is a unique aspect of the Uruguayan carnival that distinguishes Uruguay as one of the most unique places to experience this classic holiday. In Rio de Janiero, Brazil you have the Samba and crazy parties. Cádiz, Spain, is known for it sense of humor and political and social criticisms in their theaters. Each Carnival has its own unique characteristics, spanning dozens of cultures on both sides of the Atlantic. The overall theme involves parades with masks, singing and dancing, but the richness of cultural idiosyncrasies in each place is what makes the overall celebration special.
Lets backtrack first. Carnival is a festive season directly before lent and is celebrated all over the world. The roots come from Christianity and it is generally a period of grand celebration in which the people set themselves apart from their regular lives and live in a carefree manner. Carnival literally means “farewell to meat” as meat is customarily prohibited during lent, but a looser translation is “farewell to flesh”, alluding towards the break from social inhibitions that the festival is known for in order for the participants to fully enjoy themselves before lent. Typically Carnival ends right before Ash Wednesday, hence our Mardi Gras “literally Fat Tuesday) celebration in New Orleans (not so foreign after all).
Uruguay is known for having the longest Carnival in the world, which begins in late January and goes halfway through March. The typical aspects that make the Uruguayan Carnival unique are the murga, but most importantly is Las Llamadas.
La Murga is political satire made up of groups of 17-19 people. The members are dressed up with large colorful costumes and face paint and they sing numerous songs they have developed about current political or relevant social events. Throughout the months, there are various tablados (shows) at different venues to show many different groups of perodistas (similar to the Spanish syle of parody) and murgas.
Las llamadas is a two-day celebration that happens the first week in February. The goal is to show the top-100 candombe groups (comparsas) in a 15-block parade, which starts at 8 in the evening and finishes at 3 in the morning for both days. The order of the groups are determined by their ranking in the previous year, and as you may suspect this is a pretty prestigious honor. Rankings are competitive and well respected (same for murga and parodistas) and groups practice year round to perfect their performances.
The theme of candombe, the group of marching drummers, is a central theme to Las Llamadas and the Uruguayan culture. This stems from the African influence of slaves who were transported to Uruguay in the 1800’s.
The title, Las Llamadas, literally the calls, originated as a device to gather the people from the black community because they were segregated and unable to celebrate with the whites for social gatherings or social issues.
Over time, this element became central to the Uruguayan Carnival and today it is the most popular event. In fact, it is still carried out on the fairly run down, economically poor neighborhood, barrio del sur, where still most of the black community lives. But the street is cleaned up, stadium seats and folding chairs are set up, and the place is totally revamped and spiffed up for this huge event.
The parade starts with the queens of carnival, first the black then the white, which were nominated by a committee, another huge deal. Afterwards, the comparsas, the groups of nearly 100 performers, start from top to bottom (the first day is the groups of lower ranking, the second the better ranking). Each comparsa consists of many different groups of people that have their own role in the whole event.
First come the flag bearers, the estandartes, who wave the colors that represent their group and distinguish them from other groups. Following them are some dancing girls, intermixed with other masked people carrying stars, moons and mystical symbols, emblematic of the ancient African culture and influence. This group is then followed by more dancers and the gramillero and Mamá Vieja, the old couple who youthfully dance in rhythm. The gramillero dons a long white beard and cane and the Mamá Vieja is typically heavyset and carries a fan and wears a long dress with her hair up in a bun.
The escobero then follows, with a broomstick, mesmerizing the crowd with his skillful movements and tricks. The primary purpose of the escobero is to sweep away any bad spirits that may lie in the street to clear the way for the rest of the group. The escobero leads another group of dancers. At the very back is the head dancer, the vedet. She is the most beautiful and scantily clad of all of the dancers, often times a little more voluptuous than the others- a sign of fertility and beauty in this culture. The final group is the tambores, the group of 50-60 drummers that line up and pound their hearts out for hours down this packed street.
During my 7 months in Uruguay, I had been to some of the ensayos, the practices that these groups hold every Sunday evening. In the ensayos, the people just hop in behind the group of guys practicing, sharing a beer and letting the music take hold of your feet as they move along with the crowd. The music is so loud that at times, you can’t tell if the beating from the drums is physically beating into your heart or if it is just the adrenaline rush, the excitement of being right in the middle of the action that gives you that feeling of ecstasy.
But this experience at Las Llamadas no tiene nada que ver (has nothing to do with) the ensayos. For Las Llamadas, my friend, Antonio and I snagged a nice spot up behind the folding chairs and watched in amazement for hours as the beautiful groups passed, decorated with interesting costumes, paint, and distinct dances. Although the rhythm of the drumming is typically the same, (something like: da daddle-a dat, da daddle-a dat, da daddle-a dat…..) there are some interesting choreographed dances, pauses and changes in rhythm that truly differentiate the caliber of the groups. The experience right there in the thick of this huge performance, where everyone is so happy, so proud to be Uruguyan and to have this interesting culture, was incredible and I was so fortunate to be there.
As Antonio and I finished a small box of wine (a typical to drink in the streets at events like this) we needed to use the restroom and were quite hungry. Luckily, the people all along the street literally open up their houses to the public to ensure that everyone is satisfied and given exactly what they need. Uruguayan’s are such opportunists (as well as incredibly friendly) and use this festival as an opportunity to make a little (sometimes a lot) of money on the side by supplying the people with what they need.
We literally were invited into some random person’s home, given a beer and chorizo, all for a reasonable price and even got to use their family bathroom for 20 pesos (a dollar). I had to chuckle when the woman said frankly, “40 pesos if you have to do anything besides pee.” I was just in disbelief at the hospitality, generosity, warmth and instant friendship I yet again felt in Uruguay. This kind of stuff would never happen in the U.S. I looked around as we stood in the modest house, seeing person after person walk in, grab some food, the bathroom, whatever they needed and went on their way. I looked around at the modest stone floor, the birdcages up on the wall to my right, and the drying laundry hanging on a line over my head, like the family just opened the door and nothing else. They had nothing to hide, no reason to clean or prepare the house in a special way for the guests. This is just how it is. We spoke with the owner of the house for a bit as our chorizo’s were cooking and as the line for the bathroom slowly diminished and I was perfectly comfortable and content.
As the night came to an end, I was having trouble keeping my eyes open to watch the final groups, but I wasn’t a bit bored. Each group had their own distinctive flair that set them apart from the others. As one group would start up, it was like a total resurge of emotion in the crowd welcoming their Uruguayan brothers and sisters to celebrate this great day together.